Posted in Workshop

Workshop ›Listening to the Environment‹ with Peter Cusack

img_1885Photo by Laura Caroline Ranglack (Galaxaura)

Workshop ›Listening to the Environment‹
Peter Cusack, University of the Arts, London

Wednesday, Nov 9, 3:00-7:00 pm, ZeM – Brandenburgisches Zentrum für Medienwissenschaften, Potsdam

As an introduction Peter Cusack gave an overview of his work in field recording and environmental sound, in particular the project Sounds from Dangerous Places that asks the question, ›What can we learn of damaged places, like the Chernobyl exclusion zone, by listening to their sounds?‹

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Posted in Podcast, Radio

On Listening #1: Thinking (through) the ear

Reposted from sonicfield.org
Books on Listeningphoto: MACBA

Curated by Arnau Horta is ON LISTENING, a new program by the radio of Barcelona’s Museum of Contemporary Art, MACBA. The first part of the series, Thinking (through) the ear, is a fascinating exploration of listening and sonic philosophy in the words of key contemporary thinkers, going around different issues which include phenomenological questions around listening, ideas on sound ontology and the possibilities of the sonic in terms of thinking, interpreting and perceiving.

It can be streamed online or downloaded at MACBA Radio. A supplementary PDF with info on the authors, bibliography and other resources, is also available for download.

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Posted in Report

›In the Field‹. Symposium at the British Library

in-the-field_900From 15th to 16th February, I attended In the Field, a symposium hosted by the British Library in collaboration with CRiSAP (Creative Research in Sound Arts Practice). Given the library’s own extensive collections of field recordings — ranging from oral history to ethnomusicological documents, from historical wildlife recordings to industrial sounds — it may just seem consequential for the British Library to adress contemporary practitioners of documentary recording. In fact, with its considerable line-up, In the Field truly aimed to further ›explore the art and craft of field recording‹: among others, speakers included Ximena Alarcón, Peter Cusack, Zoe Irvine, Christina Kubisch, Udo Noll, Salomé Voegelin, and Chris Watson.

As a point of departure, it was Joeri Bruyninckx’ task to relate contemporary field recording practices to its historical origins: back to the days of wildlife recordists Ludwig Koch (UK) or Albert Brand (US), when field recording meant to bring a mobile studio into ›the relative wilderness of the field‹ (Bruyninckx) — occasionally even mounted on a horse carriage.

1936_02_2Peter Kellogg from Albert Brand’s team recording in the swamps of Florida, 1936.

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