Posted in Workshop

Workshop ›Listening to the Environment‹ with Peter Cusack

img_1885Photo by Laura Caroline Ranglack (Galaxaura)

Workshop ›Listening to the Environment‹
Peter Cusack, University of the Arts, London

Wednesday, Nov 9, 3:00-7:00 pm, ZeM – Brandenburgisches Zentrum für Medienwissenschaften, Potsdam

As an introduction Peter Cusack gave an overview of his work in field recording and environmental sound, in particular the project Sounds from Dangerous Places that asks the question, ›What can we learn of damaged places, like the Chernobyl exclusion zone, by listening to their sounds?‹

Continue reading “Workshop ›Listening to the Environment‹ with Peter Cusack”

Posted in Composition, Presentation

›Background Noise‹. Field Recordings and Ethnography

Background Noise

›[The] visualist bias has dramatically influenced the way in which anthropology itself has evolved. Thus, one emergent and potentially very important aid to the refocusing of the discipline lies in attending to kinds of knowledge that have proved resistant to being coded in graphic or visual ways.‹ (Michael Herzfeld on the future of anthropology; Herzfeld 2002, 245)

noiseToday, there is an increasing concern for the senses in the humanities. Some even venture to proclaim a ›sensory turn‹. In cultural anthropology, a greater awareness for sensory phenomena and embodied subjectivities, for materiality and atmospheres is reflected in approaches such as an ›anthropology of the senses‹ (Howes 1991) or a ›sensory ethnography‹ (Pink 2009). However, in today’s academic practice many scholars still appear to be utterly reluctant to go beyond text, images, or diagrams as a means of communicating knowledge–even when presenting research on the human sensoriality.

Now Cultures of Auditory Knowledge–Knowledge of Auditory Praxis, an interdisciplinary conference held at the University of Music and Performing Arts Graz and the Karl Franzens University of Graz in June 2014, offered just the right setting to address and, indeed, transgress these representational conventions within an academic context. With a paper on Soundscapes and Ethnography. Field Recordings within Urban Studies I did not try to construct another theory on sound in the city. Rather, I aimed to allow for some first-hand experiences, or at least to provide some ›sensory material‹ by presenting a composed sequence of recordings from the field.

Listening to this sound sample is an experiment you can partake of: Can these recordings actually convey a ›sense of place‹ (Feld/Basso 2009)? Do they reveal something about the people living here, about the atmosphere and mood of this particular ›sonic lifeworld‹?

Continue reading “›Background Noise‹. Field Recordings and Ethnography”

Posted in Miniature for Mobiles, Workshop

›Walking in the City. Hidden Sounds and Mobile Places‹

A miniature for mobiles inspired by Michel de Certeau’s seminal text ›Walking in the City‹, based on the radio aporee app
Silly Walks
John Cleese, The Ministry of Silly Walks

›The act of walking is to the urban system what the speech act is to language. It is a process of appropriation of the topographical system on the part of the pedestrian (just as the speaker appropriates and takes on the language); it is a spatial acting-out of the place (just as the speech act is an acoustic acting-out of language).‹ (Michel de Certeau)

Unterschiedlicher Straßenbelag in der Berliner Ackerstraße II (Willkomm 2006)Photo by Judith Willkomm

›Walking in the City. Hidden Sounds and Mobile Places‹ is a sound art installation in public space, accessible via a customised smartphone app. Listeners are invited to explore and appropriate an area of hidden sounds–and to compose their own radio play by walking.

Footsteps weave places together.‹ (Michel de Certeau)

Vorderseite_KOSMOS_Einladung_2013_final_0©: Kerstin Kühl, 2013

›Walking in the City. Hidden Sounds and Mobile Places‹ was created and presented in September 2013 as an exceptional soundwalk for the KOSMOS Summer University 2013 ›Modern Walking. Innovative Urban Mobility‹ (here’s a video clip on KOSMOS Summer University).

Continue reading “›Walking in the City. Hidden Sounds and Mobile Places‹”

Posted in Miniature for Mobiles

Compose by walking! A miniature for mobiles

›Inside every room of every house of a street, each of them full of audible details, usually concealed behind closed doors: if it would be possible to listen to these everyday choreographies, what could you hear?‹

Fo-Guang-Shan-Tempel_BerlinBuddhist temple at Berlin Ackerstraße (Photo: Andreas Praefcke)

This experimental project called Berlin Ackerstraße (2006-2007) takes you on a participant observation or rather, a participatory sound expedition in Berlin, Ackerstraße. It enables you to listen to the sounds of everyday life in Ackerstraße five years ago – while walking down the street today.

mfmMiniatures for mobiles is an app which responds to your movements: you are literally composing by walking. You are wandering around in a radio play.

Continue reading “Compose by walking! A miniature for mobiles”

Posted in Critique, Report

A soundscape remodelled

Urban square Nauener Platz in Berlin was recently remodelled and reconstructed by urban planners and acousticians in order to improve its ambiance – with special regard to its sonic properties. One of the outcomes of this project is a middle-sized noise barrier (gabion wall) reducing the crossroads’ traffic noise on the playground by 3 dB.

Nauener Platz playground with noise barrierNauener Platz playground with noise barrier (gabion wall)

Following a distinct ›soundscape approach‹, acoustician Prof. Dr. Brigitte Schulte-Fortkamp and her colleagues at Technische Universität Berlin not only took measurements and calculated noise contour maps. They also conducted ›soundwalks‹ and even invited local residents to participate in the planning process. In the end, local residents required more pleasant sounds at Nauener Platz.

Sound devices installed on Nauener Platz

In respondance, several ›audio islands‹ were installed: today’s visitors of Nauener Platz are supposed to sit down on ›ear benches‹ with integrated speakers to listen to ocean surf or birdsong (sound devices by Barbara Willecke, sound files by Konstantin Dudel). Continue reading “A soundscape remodelled”

Posted in Collaboration

Create a soundmap based on your own field recordings!

 

Contribute to a global archive of field recordings and create your own sound map projects at the same time with aporee ::: maps !

Header of radio aporee ::: mapsRadio aporee ::: maps is an open, collaborative field recording project started by media artist Udo Noll in 2006. So far, there are 14561 recordings online, accessible via a global map. Most of the recordings stem from Europe or the U.S. – but there is an increasing number of recordings from Africa, Asia, and Latin America as well.

Global soundmap from radio aporee ::: maps Continue reading “Create a soundmap based on your own field recordings!”

Posted in Workshop

›Talk about the walk‹. Kathrin Wildner’s soundwalk at the Tempelhof Field

In June 2010 I participated in a soundwalk conducted by Kathrin Wildner, an urban ethnographer reknown for her research in Mexico City and Istanbul. In Berlin, we were taking a walk at Oderstraße along the line of the fence which encloses the former Tempelhof airport. We asked ourselves if the fence may act as a sonic border and what – in general – a border sounds like.

Map of the Tempelhof fieldIn the meantime, the airport had been opened to the public which slightly shifted the focus of our inquiry towards the massive change of the soundscape in this area. Surprisingly, the Tempelhof Field today makes up an area of quietness in the middle of Berlin. Continue reading “›Talk about the walk‹. Kathrin Wildner’s soundwalk at the Tempelhof Field”