Photograph by Miss Mussel
Who is, indeed? Both a fervid apology of and a furious pamphlet for Murray Schafer, written by James Wyness last year. Still groovy!
It has become fashionable in some sound and new music quarters to sneer and snipe at R. Murray Schafer and his ideas on the soundscape. In particular I’ve noticed that the ideas set forth in Soundscape: Our Sonic Environment and the Tuning of the World come under attack for being nostalgic, romantic (without defining what this means), idealist, utopian – the list goes on. Of course the detractors rarely come up with any positive ideas themselves. And no I’m not going to name names – that’s for the reader to discover. The critics, if I may dignify them with such a title, range from academics seeking to distinguish their own second-hand ideas to the composer who seeks to validate his or her compositional aesthetic. Personally I doubt if many of the snipers have actually taken time to read the book from cover to cover. I confess openly that after years of taking for granted the…
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